“This Way to the Egress” stands out simply because it is very unlike everything else in this anthology. I guess that means it succeeded? I do admit to enjoying kids and violence in horror movies they should be brought together on film more often. I cringed and giggled as the violence ramped up. Why? I have no idea, but Ryuhei Kitamura practically turns the short into a live-action splat-toon with creepy images undermined by campy, almost comedic, performances. I found “Mashit” to be uneven, but on purpose. Did I say there was a lot of blood slung about? Oh yeah. Okay, it ain’t a hint, but the demon suggests the priest enjoyed young boys as well. Plus, you get hints of inappropriate behavior by the priest and the nun. Splatter hounds should enjoy the amount of physical harm characters endure. We start with a possessed child on top of a school building as a nun attempts a rescue. This is the story of a Catholic school beset by a demon. Yeah, I had the same reaction when I saw that, but it is pronounced “mah-sheet”. I don’t see one hiding under the bed, so stop hoping. I have a deep revulsion to most body horror, and this short landed with a meager thud, and the ending will just leave most people shrugging as they wonder if there should be a deeper message. It really has little of his typical flair even if there are a couple of gruesome moments. Rather sad, considering the director here is Joe Dante. “MIrari”, the name of this second tale, starts out like a standard TV-movie anthology story – right in the middle of the things and ready to pack as much exposition into the already trite dialogue as is possible. Wouldn’t you just know that things would go wrong, even when you have kindly Richard Chamberlin playing the plastic surgeon? As a gift for their upcoming wedding, of course.
Two door cinema club tour az marquee movie#
Instead of the make-out session they hoped for, they are treated to a movie in which the boyfriend convinces the girl to have plastic surgery to remove a fairly large scar on one side of her face. They don’t even look at the marquee they opt to sneak into the theater through an open, unattended door. Next, we see a young couple in the street outside the theater. On top of that, we get gore, splatter, antics with a very dead body, and damn near every eye-rolling trope connected to teen slasher films, but they are all played on purpose and to mostly comedic effect. As a result, we get the “spider cam”, which should give you at least a snicker unless you are having a seriously awful day. Directed by Alejandro Brugues, the segment plays out like a hyperactive ending to a typical teen slaughter-fest that takes a very weird turn. She settles into her clearly-marked seat and starts to watch herself being pursued by The Welder. The film opens to the lovely Sarah Elizabeth Withers as Samantha having a brief fight with her boyfriend over the phone before she finds herself in front of a theater with a marquee listing the featured film as “The Thing in the Woods”. Or selecting it on some streaming service. Still, this cinematic vehicle has a few creaky areas you should be aware of before laying down your cold cash. Luckily, “Nightmare Cinema” is competently made by professionals working on a small budget, so it is far from a total wreck. As a bonus, with the variety, you should be able to find at least one story that you halfway enjoy. It’s kind of like getting to see a bunch of little movies without having to sort through the other recommended garbage over at YouTube.
Two door cinema club tour az marquee series#
Once inside, the audience members witness a series of screenings that shows them their deepest fears and darkest secrets over five tales. Five strangers converge at a haunted movie theater owned by The Projectionist (Mickey Rourke).
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